There is somewhere, I remember, in Shakespeare, something about 'a white dove in a flock of black crows'; that was just the impression made on me by the girl, who entered the room. Between the world surrounding her and herself there seemed to be too little in common; she herself seemed secretly bewildered and wondering how she had come there. All the members of Mr. Ratsch's family looked self-satisfied, simple-hearted, healthy creatures; her beautiful, but already careworn, face bore the traces of depression, pride and morbidity. The others, unmistakable plebeians, were unconstrained in their manners, coarse perhaps, but simple; but a painful uneasiness was manifest in all her indubitably aristocratic nature. In her very exterior there was no trace of the type characteristic of the German race; she recalled rather the children of the south. The excessively thick, lustreless black hair, the hollow, black, lifeless but beautiful eyes, the low, prominent brow, the aquiline nose, the livid pallor of the smooth skin, a certain tragic line near the delicate lips, and in the slightly sunken cheeks, something abrupt, and at the same time helpless in the movements, elegance without gracefulness... in Italy all this w ould not have struck me as exceptional, but in Moscow, near the Pretchistensky boulevard, it simply astonished me! I got up from my seat on her entrance; she flung me a swift, uneasy glance, and dropping her black eyelashes, sat down near the window 'like Tatiana.' (Pushkin's Oniegin was then fresh in every one's mind.) I glanced at Fustov, but my friend was standing with his back to me, taking a cup of tea from the plump hands of Eleonora Karpovna. I noticed further that the girl as she came in seemed to bring with her a breath of slight physical chillness.... 'What a statue!' was my thought.
Return to the An Unhappy Girl Summary Return to the Ivan S. Turgenev Library